Studio

Best of both worlds

Although it is common to use computers with lots of plug-ins in a music prodution, we prefer using high-end external hardware components. Solely software based audiosystem (daw´s) are not able to realise our vison of sound.

We prefer a combination of digita – and - analog technology. The Logic Pro 9 is a fascinating tool for any kind of editing, solving problems and creating music.

But the analog technique is still irreplaceable, to get a harmonic, warm and real unique sound. Tube compression, band saturation and high end class A equalizing are the main factors of our sonddesign.

In consequence we do not “bounce” a song in the mastering or mixdown process, but we record the music in realtime.

Studio Equipment

Hardware

• Tube Tech SMC 2B Stereo Multiband Compressor (analogue multiband tube compression)
• Avalon AD 2055 Pure (analogue class A equalizer)
• Klein & Hummel UE 1000 (analogue equalizer)
• Midas Venice 240 (analogue desk)
• Studer A 80 (analogue ¼” tape recorder)
• EMT 248 Digital 32 Bit Audio Prozessor (digital prozessor, equalizer)
• Drawmer Masterflow (digital processor)
• Waves BCL digital Compressor / MaxxBass / Limiter (digital Processor)
• Lexicon LFI 10 (digital audi format interface)
• digidesign 003 (audio interface)
• Apple Macintosh: Mac Pro

Software

• Logic Pro 9
• Universal Audio
• Pro Tools 8

Synchronization

• Mutec MC 3 Digital (audio master clock generator)

Controls

• GENELEC 1031 A + 1029 A (monitor system + subwoofer)
• DYNAUDIO Contour 1.3 (monitor system)
• Yamaha NS 10 (monitor system)
• Bose Acoustimass 6 ( 5.1 surround Hifi system)
• RTW 1205 D (digital level meter)
• KLARK TECHNIK DN 60 (spectrum analyser)

Acoustics

• FAST AUDIO (studio acoustics)

Read more at masteringonline.blogspot.com